Yes, the L’Avecaise has been released into the wild. The build is complete for now, and my initial shakedown ride went well yesterday morning. I stopped frequently to check and recheck bolts and tires and clearance and all manner of things – as I swoop down that first long descent after a new build I’m suddenly thinking to myself, did I tighten down the stem? Oh crap…what about the front wheel?
No decaleur installed for now – I’ll need something with more drop than the VO version I have on hand if I’m going to move my Swift Ozette bag back and forth between this and my Boulder…I should have measured first. The other option is Berthoud bag, the GB28 size looks to fit the space just about perfectly but at a $270 price point I have a great deal of difficulty not grimacing. I’d much rather have one bag traveling back and forth.
Counting this morning, I’ve escaped on the L’Avecaise twice and neither ride was long or especially spirited: About twelve or thirteen miles each time out, with a few climbs and a few descents, and one very deceptively steep false flat. Essentially, I haven’t attempted to push it much at all yet and won’t until I know I’ve got everything dialed in to my satisfaction.
So, out of the box just a few observations:
- I like the “float” of supple 650b x 42 tires quite a bit. I’m using Hetres at the moment, which while a bit heavier than the Compass tires, still feel great. The cost point between the two is negligible, and Compass had the Hetres in stock so my. tire selection was narrowed by availability. I’ve made no secret how much I like Compass tires as evidenced by the fact that I have them on three other bikes.
- Installing the VO Noir Zeplin fenders and nailing down a perfect fender line was a snap. Jeff Lyon’s frame and fork are perfectly designed to make set up so much less painfree than other installation experiences. What totally pissed me off though, was the damn VO front rack. It came nowhere close to fitting and required extensive bending to even make an adequate mating. During the process of dry fitting I managed to bodger up the front fender. With a bag in place, no one will ever see the scratches or no the difference. But I will. I’ll never use another of these racks.
- I went with Tektro CR720 cantilevers for the brakes and I’m very happy with them, and let me explain why: When I built up my Boulder I used Avid Shorties. I heard so many good things about them that I was really taken aback at how difficult I found them to set up. In fact, I jiggered around with adjustment for over a year, and to this day they work only adequately. They stop, and that’s about the best superlative I can apply to them. By contrast, the Tektro cantilevers installed and were adjusted quickly. They are very grabby, and stop very well. I like how they modulate on descent. And quite frankly, when it comes time to replace the pads on my Boulder I’ll probably just yank the Avids and install a pair of Tektro CR720’s.
- When it comes to saddles, I’m a Brooks fan boy. My favorite model continues to be the Cambium C17, but I also have Brooks Professionals on several of my bikes. Having a couple of NOS vintage Pros on hand, I installed one, presuming I’d eventually replace it with a black C17. And while that may still be the end game, I’m very pleased with the saddle position. The overall frame geometry and set up of the cockpit matches my own body geometry and ride positioning. I’ve made extensive measurements and comparisons over the years, so I’ve got a great baseline as a starting point for set up. I’m very pleased that I was able to use this data to easily position the main points of contact: saddle, relative to the bottom bracket and pedals; reach, relative to saddle, bars, bar height, and hand position.
- For handlebars, I’ve been very pleased with my experience with the VO rando model. On two other bikes, I’ve gone with a pretty wide size. On a whim, I ordered a pair that are a size narrower. I don’t notice an appreciable difference, and if anything, the difference is positive rather than negative. This is the second set of bars on which I’ve used the rubber Brooks Cambium wrap. I appreciate the slight “give” the Cambium wrap has on my palms, yet there’s still a confident foundation. In contrast to the bars on my Boulder – also VO rando models, by the way – wrapping the bars on my L’Avecaise was a real bitch. I’m pretty good at wrapping bars using cotton, leather, or just plain old cork, so I found this experience both challenging and frustrating.
- I’ve currently got my favorite style of clip in pedals installed, the dual SPD/platform Shimano M-324 model. However, I’m likely going to replace them with flat platform Vice pedals, which I have on both my International and my Bernard Carre. I like how grippy the platform is with just about any shoe, and that I can just hop on and take off without going through the motions of outfitting in cyclist clothing and togs.
- I’m going with rechargeable lighting in front and battery operated tail light. After running out of charge on the road a couple of times now, I like the convenience of just being able to stop at Quick Trip for a pair of AAA batteries. Plus, I am finding the battery operated tail lights outlast the USB charged options. Go figure.
I am what is termed a “teaching artist,” an artist who teaches others to make and consider and appreciate art. A good part of my professional life prior to education was as a designer, creative director, photographer, and illustrator, so it’s pretty safe to say that I’m fairly fine tuned toward and aware of the visual world around me.
Light, in particular, catches my attention, as do patterns, and colors, and textures. Typography, and the rhythm of letterforms. But light! The contrast of light against shadow. Light upon a reflective surface, carving a highlight along an edge, disappearing or emerging from murky shadow.
My studio is a workspace rather than a display area; it’s not a gallery but a place of books and tables and shelves. A sofa filled with lounging black labs, and a cat or two. Floor-to-ceiling windows and diffused light entering from a side door. Various of my bikes lean against book shelves or hang from a rack, and these tend to rotate out with those hanging from ceiling hooks out in the workshop – their number varies dependent upon what bike I rode last, the one I just dismounted from, the one that saw road time yesterday.
They lean there, waiting for the next ride, directly in front of my drawing table, immediately before me as I sit, pen in hand. The late afternoon light enters at an oblique angle, bathing things in a soft glow. It doesn’t take much for me to become engulfed in the sight. I am obsessed with bikes of a certain ilk to begin with, and the light simply renders an already attractive subject even more so. The lines, the design. It’s the light.
This year’s Tweed Ride was fun, but just a wee bit disappointing. Why? Well, I sure wish there had been more vintage bikes on hand – other than my own, of course. Modern bikes and dress up. Hmmm.
I do look forward to this event though. It’s fun to get out and ride one of my vintage bikes, get all duded up in something resembling period attire, and join a group of others of similar mind. This annual ride is sort of turning into a hip, fashiony event. But still cool. Folks are out on bikes, enjoying themselves and the day.
My bike of choice today was a 1946 Hobbs of Barbican. It’s a fixed wheel time trial bike. Staying true to the form of the time I was dressed head to toe in black as British time trialists would have done in the 30’s and 40’s. (An alpaca jacket would have been required – which I don’t have. Fortunately, it was a warm day so no harm, no foul.)
I arrived early, hoping to get in some sketching. Unfortunately, I found out the damn ink was running low in my pen.
Well crap. Guess I’ll just ride my bike.
The day was shaping up nicely – or so I thought. My top layer had already been peeled off and stowed, and a pleasant sheen of perspiration glistened on my brow. Yet by the time my destination had been reached the sky had clouded over and the winds had whipped into something of a fury. Today’s ride was looking to be shorter than anticipated.
In search of a wind break I left the open road in lieu of a few miles of undulating state park path, encased for the most part by trees on all sides. Leaving the trail I encountered gravel roads, narrow and steep and loose – but also blissfully free of windsheer. Climbing the first hill, I lowered my gears into the granny and yet still found myself standing. Am I really that far gone after a relatively mild winter of slothfulness?
To be honest, I really don’t get the whole “gravel thing” – but to each his own. I’ve friends who live for this stuff. There was a time not so long ago that I thought there’d be greater appeal for me. But alas! That appeal has thus far eluded me.
I far prefer exploring neglected and forgotten back roads, those crumbling chipsealed blacktop tracks that few people except locals have need to travel. And while my Boulder meets those needs quite well, on this day I found myself wandering along, content to be enjoying the benefit of wider 650b tires.
At the top of the very first hill, at the edge of the park, stands a brick structure. The building is a restored one room rural school house. Growing up in rural Missouri, my teen years were often spent in exploration of back roads where my friends and I encountered many a crumbling derelict of a school house. Those abandoned buildings, built by the farming community with great care were now crumbling, no longer of much use as schools consolidated and students moved into larger buildings in the surrounding towns. It’s remarkable to encounter one in this condition.
On the same patch of ground, just adjacent to the school is this intriguing – and to my eye, anyway, rather mysterious looking multi-sided building. I’d like to know more about it, and I suppose it would be easy to find out its original purpose simply by asking at the park offices. I couldn’t help but think what a wonderful painting studio it would make though!
The final semester assignment for my Drawing students is a self portrait in charcoal and chalk that illustrates the theme of “Where’s my refuge?” As usual, I draw along with my students so I can model the kind of decision-making that artists engage in through the development of an artwork. To exemplify the theme, as it applied to me, well of course I would illustrate my refuge astride a bicycle, wind in my hair, sprinting along a lonely road a million miles from anywhere.
For the past couple of months my riding has been pretty limited. School seems to have kept me busier than usual. More worrisome than that, some sort of weird knee issue has emerged. I’ve been an especially strong climber this year, so suddenly finding myself with minimal saddle time, and scared to test the knee to much with climbing has left me a grumbly old fart. The few miles I’ve put in have been almost entirely flat and residential. Ugh.
My knee has felt very tentative during each ride. Walking up stairs has felt very tentative too. So I was overjoyed this cool, overcast December evening to pedal out of my driveway, both my knees and legs feeling strong. Zooming down the first hill was exhilarating, the brisk air harnessed more than a few tears, the moisture slid around the side of my face and quickly dried, leaving salty tracks in the wake. My first climb was a short one, but I did it sitting, as is my wont. In fact, the thing I’ve missed most has been seated climbing: I really don’t care to stand. Strong pedal strokes through town, and then up a longer hill, and another, and then finally the long climb back up to my house. The ride was relatively short – why tempt fate too much? It was probably a good idea using the past several weeks to rest whatever has been ailing me, and it is probably a good idea not to push too hard for a while longer, but it sure feels good to be back in my refuge, if only in short bursts.