Chancing upon a gravel road, I pedaled that path to see where it led, round tight corners bordering Missouri River bluffs and through farmlands pretty and cozy and nestled and hidden. Between fields I rode, flanked by ponds and streams; horses, livestock, and waterfowl were my neighbors, and one cowboy rehearsing with a lariat, a young steer his understudy. Up and over very steep hills, I climbed and panted; my breathing at times labored as my wheels reached each summit. And yet the November air brought forth a growing chill in the waning afternoon light.
5 October, 2016. This year’s Tweed Ride was fun, but just a wee bit disappointing. Why? Well, I sure wish there had been more vintage bikes on hand – other than my own, of course. Modern bikes and dress up. Hmmm.
I do look forward to this event though. It’s fun to get out and ride one of my vintage bikes, get all duded up in something resembling period attire, and join a group of others of similar mind. This annual ride is sort of turning into a hip, fashiony event. But still cool. Folks are out on bikes, enjoying themselves and the day.
My bike of choice today was a 1946 Hobbs of Barbican. It’s a fixed wheel time trial bike. Staying true to the form of the time I was dressed head to toe in black as British time trialists would have done in the 30’s and 40’s. (An alpaca jacket would have been required – which I don’t have. Fortunately, it was a warm day so no harm, no foul.)
I arrived early, hoping to get in some sketching. Unfortunately, I found out the damn ink was running low in my pen.
Well crap. (Pentel Pocket Brush Pen in Canson 180 sketchbook; Kansas City, Missouri.)
Yeah, it’s the light I think. Heading out in the morning, just before the sun breaks the horizon; the roads are dusky but the light changes rapidly. Mornings like this morning are a gift in a way. The world is shrouded in fog, moisture glistens on my arm hairs as I roll downhill, a bead of it is just visible on the nose of my helmet – then the droplet falls and spins away, lost as momentum propels me forward.
The fog is magical. It turns the everyday into something mysterious. I truly cannot decide whether I prefer the saturated color in which the world is momentarily painted, or the wonderfully smooth gradations of tonality that gets rendered in black and white on this day.
So why choose? I shoot both ways. And yeah, it really is the light.